Arts Exposure

Three exhibits worth checking out this NDP weekend

OSAGE: “Inside Looking Out”
THE establishment by young Hong Kong artists of studios−in the flatted factories of Chai Wan, Kwun Tong, and, in particular, Fotan in the New Territories−constitutes one of the most interesting aspects of HK’s recent contemporary art development.

It is the closest to the Western notion of the aesthete or bohemian artist working for arts sake in his garret. It is HK’s 21 st century equivalent of the bohemian artists’ colony.

At Osage Singapore, catch seven of these artists in “Inside Looking Out.” They are Ma Chihang (Film/Media Arts), Kwan Sheungchi (Multi-disciplinary Arts), Lee Kit (Painting Installation), Chow Chunfai (Painting), Pak Sheungchuen (Conceptual Art), Lam Tungpang (Painting/Mixed-media) and Doris Wong Waiyin (Mixed-media).

The exhibit’s organisers believe that, as the art world becomes more and more fragmented, the identification of artists as a member of a particular group or “school” is for many the only way of lending structure to a highly fluid range of contemporary art movements.

And that’s why they ask the question: Is there a “Fotan School” in Hong Kong?

“Inside Looking Out” at Osage Gallery (11B Mount Sophia, #01-12, Singapore 228466; tel. no. 6337 9909) opens on the evening of 8 August, and a roundtable discussion featuring the artists will be held on 9 August, from 2pm to 5pm. It runs until 5 September.

Read more for the other two art exhibits in Singapore.